Pump. Fun saves Web2 anchor: from nobody to $150,000 for two days

2025/09/15 13:27
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Pump. Fun saves Web2 anchor: from nobody to $150,000 for two days
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original by: hitesh.eth
Original: AididiaoJP, Foresight News


I probably went through Pumpfun's live broadcast yesterday and saw some creators making amazing income, which was very interesting. Pumpfun has a higher return than income on other platforms (e.g. Kick, Twitch, and even YouTube)。


Interesting is the payment structure. The traditional platform optimizes its advertising and draws a substantial share of it before any income is received by the creator, which is found to be mathematical and uneven。


On Pump, the reward cycle is closer to action itself: attention is turned to trade volumes, trade volumes are immediately translated into creator costs, and viewers have economic benefits as heat continues to climb. This is a closer flyer, with a smaller hierarchy between creators and remuneration。


Turning attention into costs


So in terms of remuneration, on Pump, if you do live, you can make more money than any other platform. The dashboard shows some very interesting podcasts and very interesting live broadcasts. One of the most popular is "show the main coin". This person has been donating the cost of the creators he earns to all small creators, and he also has the coin. Every creator, whenever they start live, has a corresponding token. The market value of the "broadcaster" is around 22 million。


It turns the audience into a co-owner of heat. And when the audience holds your tokens, they are not just bystanders: they become promoters, pagers, and remnant. If you set up a fee-splitting, lottery or live broadcast mission, you're basically running a real-time, chain loyalty program without an intermediary. Prices became a public scoreboard for attention。


and then i saw another token called "bagwork." they have a very viral clip. a well-known online figure, radley, slaps the broadcaster live under the title "bagwork", and the clips go crazy on social media, so he gets attention。



This is the new model: capture an instant that the Internet can't ignore and then direct that attention to the assets tied to your live broadcast. The viral clipping surges in new wallets, trade volumes, creator fees, more content. This cycle rewards people who can create instants over and over again。


Operators try to get attention and do different things. I also saw an creator distributing food to people in Los Angeles. There is a token "feed the people" (FTP). They have been donating everything they earn through these live broadcasts. They donate food, donate shelter, etc., and they try to advance a noble cause。


Career-driven live broadcasting translates common sense into measurable action. Trust can be built at an accelerated pace when the audience sees a transparent flow of funds in the chain of food or shelter. That trust becomes a community, a community becomes a sustainable force, which brings complex costs to creators and sustained results for the cause。


From Twitch to Pumpdotfun


About 7.3 million people live on Twitch every month, but on Twitch, I think 90 percent of people don't make any money. Even some of the top broadcasters did not earn any significant expenses compared to the income that the new players on the Pump would earn. For example, the people behind "bagwork" have made $150,000 in two days, which is amazing。



Why do most Twitchers struggle to survive: monetization depends on subscriptions, Bits (reward points), advertising and brand cooperation? The content was found to favour well-known individuals, paid later and the platform drew considerable shares. For small creators, average monthly income is usually low or unstable, which stifles motivation. Pump subverts discovery and monetization: small creators can quickly rise up at an instant detonation and are paid instantaneously because they are chained。



Pump provides a platform where you can live, and you can expect more money. It's a encrypted primary platform, in a way, decentrized, relative decentrized, you can say, compared to purely central platforms like Kick, Twitch。


"Relative decentrization" is important because it reduces platform risks. If your pay depends on smart contracts and mobility pools, you will be less affected by arbitrary policy changes, implicit closures or late cash withdrawals. The cost is volatility and personal responsibility, but many creators prefer this to non-transparent rules。


Why people live: Emotions, Identity and Ownership


Here you have an encrypted community, a liquid community, where they can buy your tokens, sell your tokens, generate trade volumes for you, and you can set costs for every transaction done on your tokens, making money. It's very straightforward. But you also need to graduate the token, which is required. At current Solana prices, about $20,000 (85 SOL)。



Graduation is basically a threshold of credibility. You show sustained attention, growing holders and transparent token distribution, and you get deeper mobility and better value discovery. In fact, this means: a stable timetable, clear storylines, regular catalysts, fair start-up mechanisms and active community management. When your live broadcast becomes a story that people want to trade, the token will be launched。


When I think about it, the question I think about is why people do it. Why do they go to these platforms, turn on the cameras, show what they're doing, and many do very unique and strange things. The first reason will be hope. They might want to make some money because they see a lot of success stories everywhere. When they're chasing money and aiming to make money fast, many people, I'm not sure they can play long-line games. They'll try a few days or weeks, and when the money doesn't roll, they'll probably quit。



EMOTIONALLY, LIVE GIVES YOU RECOGNITION, IDENTITY AND A LISTENING ROOM. FOR SOME, IT IS TREATMENT, FOR OTHERS IT IS PERFORMANCE, A WAY TO CONVERT LONELINESS INTO RITUALS. FINANCIALLY, IT OFFERS SELECTIVITY: EVEN SMALL PAY FEELS MEANINGFUL BECAUSE THEY ARE TIED TO YOUR OWN IP (INTELLECTUAL PROPERTY) AND YOUR OWN TIMETABLE. PEOPLE LIVE LIVE TO BE SEEN, TO BE IMPORTANT, TO PRACTICE A SKILL IN PUBLIC AND TO SEE IF THE MARKET AGREES。


But a lot of people live, no matter how much they earn. Sometimes for a few, money is not so important, but they really like the live process. They really like to talk to any community they have. Maybe 10, maybe 100, they like talking to people, they like sharing their feelings. It's a good practice for people who don't have emotional support in their lives if they don't have family or friends who can share anything that happens in their lives。


This is the quasi-social relationship engine. You have created microcommunities where internal jokes, rituals and shared advances make people feel safe. The creator is given a sense of responsibility and purpose, and the audience is accompanied and meaningful. On Pump, this bond is priced in real time, which magnifies pleasure and stress, so you need boundaries and clear rules。


Even if they're looking for people to share what they really do. If they work in a company, they really like to sing and sing to help them out. They can sing if they want to. They can open live and communicate with the audience. If they are good at singing, they can build a crowd of viewers, which may make money and gain recognition in this way, and there are great possibilities. This is great for those who seek to free themselves from a busy and painful life and to find a space where they can really be themselves。


Heart flow coupled with ownership is the reason for this build-up. And when your by-product skills become a token-backed ritual with fans who hold part of your rising potential, the feedback loop is real: practice the audience growth, price action, more practice。


Pump is interesting, and it may give long-term producers who have been live on Twitch, Kick, and even YouTube for a long time, but who have not been able to earn a significant income from their efforts, an opportunity to realize benefits. It can help them to capitalize some of their long-term efforts。


It can be seen as retroactive funding. Your accumulated work has become immediate credibility. On Pump's first day, you're not a new creator, you're a certified IP, with files, background stories and a fan ready to turn into a holder。


It's like what we saw in NFT, and the potential it brings. NFT, for what some great artists have done, may see the same reaction from the Pump live. It can do the same thing. In 2021 to 2022, in 12 months, many artists who did not even earn $100 and could not even sell their art in real life earned between $10,000 and $100,000 by selling their digital art through NFT. I think a similar wave will happen here. The categories of artists are limited. Not many artists joined NFT。



OpenSea has unlocked first-market and second-version taxes for visual artists. Pump can unlock real-time royalties for anchors: transaction costs, token-gate benefits, chain sponsorship and community-owned milestones. The same energy, but with real-time market and continuous content, not static art。


The way forward: migration, strategy manuals and the future


On Pump, I think maybe millions of people are considering joining. They can register as broadcasters, some of them may become millionaires in the next 12 months. If you're the one who wants to make money in this field, it's also a good opportunity. Even if you've been live on different platforms, and you like to talk about things you know, you're good at something, and you want to share it with people, let's do it. Don't be shy about it. You just have to open your heart, express yourself and have that ice break. If anything stops you, try it。



The trigger for migration will be simple: once some middle-level creators publish transparent, chained and well above their old earnings, the public will notice that creators follow incentives and viewers follow creators. Mobility follows both。


If you're serious about making money, if it's important to you, even if it's not about money, but about sharing what you've been hiding in your head, what you've been trying to do, what you've wanted to pursue, but you have a duty and a responsibility to not be able to pursue that passion, it's time. Seek your passion in the right way, so that you can maximize capital, make better use of your passion for capitalizing, making more money, enjoying the process and getting better returns。


Live coverage is seen as a start-up company: a simple road map, token utility, weekly catalyst and clean wallet management. Set up fences for your community so that speculation doesn't cover up your skills。


I believe that in the near future, there will be a wave of pumps. Many broadcasters will join, and the wheel will turn when there is information inside the circle that they might make more money if they move to Pump. And on the Pump, not only does the anchor make money, but traders make money. You can speculate on the grower, you can buy that token, sell it and flip it for profit。


Traders will develop a strategy manual around the Focus Signal: Meanwhile, the sudden rise in the number of online viewers, Discord's accession speed, Twitter references, view retention rates, clip-virus transmission and chain-holder growth. The best strategy would be narrative and figures, not just numbers。


It's all about mein. It's all memes, but these memes are doing something great. For their part, they are paid for their efforts. They tried to get attention for anything they did. They play attention. They are working, and the more they invest, the greater the opportunity for attention。


you need to be very focused on the trade. you need to get into it, scan the wallet on the chain, try to find the right alpha. it's not that easy, and you're working there. it's a game where both sides need a high investment. you need to do more to make more money on the part of the host, and you need to do more on the part of the trade。


Tools for attention: KOL Wallet Tracking and Narrative Maps for KOL and Stalkchain, DEX dashboards for inflow/ outflow of funds, for checking the concentration of holders, speed of new wallets, depth and lockout of LP (mobility provider) and timing of whale entry and exit. X (for editing speed and emotions. A simple rule: rising attention, coupled with an improved distribution of holders and increased mobility, is a greater bet than a mere focus。


Attention has been money, Pump just makes it flow. Those who can reliably build and track attention will capture the greatest value here, and the creators will interpret social and chain signals with discipline through continuous programming and honest storytelling。


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